THE INTERACTION OF RUSSIAN AND CENTRAL ASIAN CULTURAL ELEMENTS IN ALEXANDER FEINBERG’S POETRY

Authors

  • Adhamova Mohlaroy Nodirbek qizi UzSWLU, Faculty of 3rd English Philology Tashkent, Uzbekistan Author

Keywords:

Intercultural influence, literary convergence, symbolic imagery, philosophical reflection, traditions.

Abstract

This article analyses how Russian and Central Asian cultural traditions are interconnected in the poetry of Alexander Feinberg. The study explores how diverse cultural perspectives and artistic concepts converge in his work to form a unified system of literary expression. The results of an in-depth textual analysis demonstrate that these cultural layers do not function separately but exist in an integrated and mutually enriching manner, shaping Feinberg’s distinctive artistic style. The research argues that his poetry can be understood as a literary phenomenon in which different traditions come together and interact creatively.

References

1. Bakhtin, M. M. (1981). The dialogic imagination: Four essays (M. Holquist, Ed.; C. Emerson & M. Holquist, Trans.). University of Texas Press.

2. Feinberg, A. (2021). Qoralanmaga qasida. Ma’naviyat.

3. Frye, N. (1957). Anatomy of criticism: Four essays. Princeton University Press.

4. Lotman, Y. M. (1977). The structure of the artistic text (R. Vroon, Trans.). University of Michigan Press.

5. Ricoeur, P. (1976). Interpretation theory: Discourse and the surplus of meaning. Texas Christian University Press.

6. Sartre, J.-P. (2003). Being and Nothingness (H. E. Barnes, Trans.). Routledge. (Original work published 1943)

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Published

2026-03-24

How to Cite

THE INTERACTION OF RUSSIAN AND CENTRAL ASIAN CULTURAL ELEMENTS IN ALEXANDER FEINBERG’S POETRY. (2026). ORIENTAL JOURNAL OF ENGINEERING AND MODERN TECHNOLOGIES, 3(1), 33-36. https://innoworld.net/index.php/ojemt/article/view/2121